MECHANICS, from ancient Greek Μηχανική, “The art of building a machine”
is a solo performance for prepared cello that emerges from an ongoing exploration of objects, materials, and assemblies. It seeks to develop new extended techniques, experiment with creative processes, and discover unheard sounds and unexpected behaviors of the instrument.

Mauro Basilio applies various unstable physical systems to his cello—vibrating, bouncing, and rotating objects that interfere with the musical gesture and introduce elements of chance. Electric motors, pegs, sticks, and everyday items are repurposed as extensions of the instrument, turning it into a kind of automaton that produces a responsive soundscape to comply with.